http://www.csismn.com csismn Wed, 06 Mar 2013 04:48:51 +0000 http://www.csismn.com en http://www.csismn.com/DRAWINGS http://www.csismn.com/following/csismn.com/DRAWINGS Wed, 06 Mar 2013 04:48:51 +0000 csismn 1155600 <img src="http://payload.cargocollective.com/1/2/68300/1155600/1_900.jpg" width="700" height="500" width_o="700" height_o="500" src_o="http://payload.cargocollective.com/1/2/68300/1155600/1_o.jpg" data-mid="5559468" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/2.jpg" width="435" height="627" width_o="435" height_o="627" src_o="http://payload.cargocollective.com/1/2/68300/1155600/2_o.jpg" data-mid="5559470" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/3.jpg" width="435" height="620" width_o="435" height_o="620" src_o="http://payload.cargocollective.com/1/2/68300/1155600/3_o.jpg" data-mid="5559471" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/4_900.jpg" width="700" height="525" width_o="700" height_o="525" src_o="http://payload.cargocollective.com/1/2/68300/1155600/4_o.jpg" data-mid="5559473" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/4a_900.jpg" width="700" height="517" width_o="700" height_o="517" src_o="http://payload.cargocollective.com/1/2/68300/1155600/4a_o.jpg" data-mid="5559474" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/5.jpg" width="435" height="659" width_o="435" height_o="659" src_o="http://payload.cargocollective.com/1/2/68300/1155600/5_o.jpg" data-mid="5559475" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/6.jpg" width="435" height="650" width_o="435" height_o="650" src_o="http://payload.cargocollective.com/1/2/68300/1155600/6_o.jpg" data-mid="5559477" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/7.jpg" width="435" height="646" width_o="435" height_o="646" src_o="http://payload.cargocollective.com/1/2/68300/1155600/7_o.jpg" data-mid="5559478" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/8.jpg" width="435" height="644" width_o="435" height_o="644" src_o="http://payload.cargocollective.com/1/2/68300/1155600/8_o.jpg" data-mid="5559480" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/9.jpg" width="435" height="617" width_o="435" height_o="617" src_o="http://payload.cargocollective.com/1/2/68300/1155600/9_o.jpg" data-mid="5559481" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/10.jpg" width="435" height="603" width_o="435" height_o="603" src_o="http://payload.cargocollective.com/1/2/68300/1155600/10_o.jpg" data-mid="5559482" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/11.jpg" width="435" height="746" width_o="435" height_o="746" src_o="http://payload.cargocollective.com/1/2/68300/1155600/11_o.jpg" data-mid="5559483" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/12.jpg" width="435" height="613" width_o="435" height_o="613" src_o="http://payload.cargocollective.com/1/2/68300/1155600/12_o.jpg" data-mid="5559484" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/13.jpg" width="435" height="610" width_o="435" height_o="610" src_o="http://payload.cargocollective.com/1/2/68300/1155600/13_o.jpg" data-mid="5559485" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/14.JPG" width="435" height="614" width_o="435" height_o="614" src_o="http://payload.cargocollective.com/1/2/68300/1155600/14_o.JPG" data-mid="5559486" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/15.jpg" width="435" height="628" width_o="435" height_o="628" src_o="http://payload.cargocollective.com/1/2/68300/1155600/15_o.jpg" data-mid="5559488" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/16.jpg" width="435" height="605" width_o="435" height_o="605" src_o="http://payload.cargocollective.com/1/2/68300/1155600/16_o.jpg" data-mid="5559489" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68300/1155600/17.JPG" width="435" height="604" width_o="435" height_o="604" src_o="http://payload.cargocollective.com/1/2/68300/1155600/17_o.JPG" data-mid="5559491" border="0" align="left"/> http://www.csismn.com/Deep-Space-Music http://www.csismn.com/following/csismn.com/Deep-Space-Music Mon, 18 Feb 2013 20:50:33 +0000 csismn 5011951 <img src="http://payload135.cargocollective.com/1/2/68300/5011951/Ars electronica festival performance_01_900.JPG" width="900" height="600" width_o="1000" height_o="667" src_o="http://payload135.cargocollective.com/1/2/68300/5011951/Ars electronica festival performance_01_o.JPG" data-mid="26855084" border="0" align="left"/> Deep Space Music brings together sound and image, music and computer animation in a way that transforms the projection space into a setting for intimate experiences. In it, Japanese pianist Maki Namekawa plays a program of works by three visionary composers who are also regarded as great thinkers. Her piano concert musically celebrates the 60th birthday of Ryuchi Sakamoto (JP) and Philip Glass’ (US) 75th, and commemorates the 100th anniversary of the birth of John Cage (US). In order to provide Ms. Namekawa with latitude for spontaneous improvisation, with Candas Sisman’s and Deniz Kader’s interactive visual art direction, the performance was supported by Plato Media Lab team Zeynep Nal, Bager Akbay, Ismail Kasarci, Osman Koc and Kaan Kaner. The team worked live in real time, though, in doing so, they had recourse to a repertoire of prepared graphic elements that are the outcome of an intensive process of encounter with the respective pieces of music. The project offered an immersive experience which was associated with Maki Namekawa’s abstract notes, place’s atmosphere and enchanted the audience. Ars Electronica Festival 2012 - 1-3 September - Linz, Austria Art Direction: NOHlab (Candas Sisman, Deniz Kader) Music: Maki Namekawa Technical supervising: Bager Akbay Live Visuals & Programming: Plato Media Lab ( Bager Akbay, Osman Koc, Zeynep Nal, Kaan Kaner, Ismail Kasarci) Pre–rendered Visuals: NOHlab (Candas Sisman, Deniz Kader) Thanks to: Zeynep Ozkazanc, Senem Umut, Güliz Turan, Mehmet Kalaman <img src="http://payload135.cargocollective.com/1/2/68300/5011951/01-Ars electronica NOHlab - Plato medialab_900.JPG" width="900" height="600" width_o="1000" height_o="667" src_o="http://payload135.cargocollective.com/1/2/68300/5011951/01-Ars electronica NOHlab - Plato medialab_o.JPG" data-mid="26855052" border="0" align="left"/><img src="http://payload135.cargocollective.com/1/2/68300/5011951/05-Ars electronica NOHlab - Plato medialab_900.JPG" width="900" height="675" width_o="1000" height_o="750" src_o="http://payload135.cargocollective.com/1/2/68300/5011951/05-Ars electronica NOHlab - Plato medialab_o.JPG" data-mid="26855057" border="0" align="left"/><img src="http://payload135.cargocollective.com/1/2/68300/5011951/309142_10151080535458370_2025097801_n.jpg" width="640" height="960" width_o="640" height_o="960" src_o="http://payload135.cargocollective.com/1/2/68300/5011951/309142_10151080535458370_2025097801_n_o.jpg" data-mid="26855242" border="0" align="left"/> Deep Space Music brings together sound and image, music and computer animation in a way that transforms the projection space into a setting for intimate... http://www.csismn.com/01 http://www.csismn.com/following/csismn.com/01 Thu, 14 Feb 2013 05:38:08 +0000 csismn 4982967 <img src="http://payload134.cargocollective.com/1/2/68300/4982967/01_web_davetiye_v2_900.jpg" width="805" height="572" width_o="805" height_o="572" src_o="http://payload134.cargocollective.com/1/2/68300/4982967/01_web_davetiye_v2_o.jpg" data-mid="26685978" border="0" align="left"/> 01 Candaş Şişman December 7 2012 - January 27 2013 Candaş Şişman takes a non-conventional approach to the perception of time, space and movement of the viewer in these works through the use of utilizing digital and mechanical technologies. The artist who uses natural sciences as a reference point, aims to construct hybrid emotion fields by bringing the images that he created in digital media together with physical forms, movement and process problematic being the focal points. The artist uses simple language in spite of the complex substructures he creates, bases interaction as a conceptual problem other than the practice of being buried inside. The works of Sisman gives clues regarding today’s aesthetics. Instead of the concepts which assess image with one centered point of view, they bear the traces of an organic image vocabulary which changes shape continuously and reacts to its environment. www.pgartgallery.com <img src="http://payload134.cargocollective.com/1/2/68300/4982967/01 exhibition view_900.JPG" width="900" height="509" width_o="1000" height_o="566" src_o="http://payload134.cargocollective.com/1/2/68300/4982967/01 exhibition view_o.JPG" data-mid="26685414" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4982967/14-noisefloor01_900.JPG" width="900" height="600" width_o="1000" height_o="667" src_o="http://payload134.cargocollective.com/1/2/68300/4982967/14-noisefloor01_o.JPG" data-mid="26685426" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4982967/makromikro 05 copy_900.jpg" width="900" height="684" width_o="1000" height_o="760" src_o="http://payload134.cargocollective.com/1/2/68300/4982967/makromikro 05 copy_o.jpg" data-mid="26685433" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4982967/makromikro 02 copy_900.JPG" width="900" height="561" width_o="1000" height_o="624" src_o="http://payload134.cargocollective.com/1/2/68300/4982967/makromikro 02 copy_o.JPG" data-mid="26685446" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4982967/05-isofield-01_900.JPG" width="900" height="663" width_o="1000" height_o="737" src_o="http://payload134.cargocollective.com/1/2/68300/4982967/05-isofield-01_o.JPG" data-mid="26685452" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4982967/02-points01_900.JPG" width="900" height="623" width_o="1000" height_o="693" src_o="http://payload134.cargocollective.com/1/2/68300/4982967/02-points01_o.JPG" data-mid="26685460" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4982967/07-isofield-02_900.JPG" width="900" height="770" width_o="1000" height_o="856" src_o="http://payload134.cargocollective.com/1/2/68300/4982967/07-isofield-02_o.JPG" data-mid="26685480" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4982967/-makromikro 011 copy_900.jpg" width="900" height="600" width_o="1000" height_o="667" src_o="http://payload134.cargocollective.com/1/2/68300/4982967/-makromikro 011 copy_o.jpg" data-mid="26685531" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4982967/15-noisefloor02_900.JPG" width="900" height="600" width_o="1000" height_o="667" src_o="http://payload134.cargocollective.com/1/2/68300/4982967/15-noisefloor02_o.JPG" data-mid="26685527" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4982967/_MG_3049flufoto copy.jpg" width="667" height="1000" width_o="667" height_o="1000" src_o="http://payload134.cargocollective.com/1/2/68300/4982967/_MG_3049flufoto copy_o.jpg" data-mid="26685513" border="0" align="left"/> 01 Candaş Şişman December 7 2012 - January 27 2013 Candaş Şişman takes a non-conventional approach to the perception of time, space and movement of the... http://www.csismn.com/P http://www.csismn.com/following/csismn.com/P Thu, 14 Feb 2013 05:27:08 +0000 csismn 4982919 <img src="http://payload134.cargocollective.com/1/2/68300/4982919/hamam.JPG" width="635" height="876" width_o="635" height_o="876" src_o="http://payload134.cargocollective.com/1/2/68300/4982919/hamam_o.JPG" data-mid="26685147" border="0" align="left"/> Audiovisual installation 4 x 1’11’’ 2011 This is a variable-fictional audiovisual experience that describes the concept of probability. The audience enters into a whole structure of possibilities, consisting of 4 parts and engages with an analog-to-algorithmic structure and fictions a perceptual process on shaping the interaction. Visual and Sounds : Candas Sisman Curated by: Öznur Güzel Karasu Production: PG Art Gallery Audiovisual installation 4 x 1’11’’ 2011 This is a variable-fictional audiovisual experience that describes the concept of probability. The audience enters... http://www.csismn.com/Isofield http://www.csismn.com/following/csismn.com/Isofield Wed, 13 Feb 2013 18:18:05 +0000 csismn 4980671 <img src="http://payload134.cargocollective.com/1/2/68300/4980671/05-isofield-01_900.JPG" width="900" height="663" width_o="1000" height_o="737" src_o="http://payload134.cargocollective.com/1/2/68300/4980671/05-isofield-01_o.JPG" data-mid="26669969" border="0" align="left"/> ISOFIELD has been produced using the izohips map that provides information about physical surface shapes and by making a physical layer from the graphics of the percentage of the population compared to the internet users (1990 – 2010) obtained from Google Publicdata. Ultimately, the acquired digital parametric surface has been dressed with a digital layer. This work is an audio-visual sculpture that tries to bring together physical information with a non-physical information (izohips-digital media) and finally with the physical result obtained it re-digitalize and makes intertwine and reverse the intended use of these nested two concepts. Design, Visuals and Sound: Candaş Şişman Architect Consultants: Alper Derinboğaz, Ahmet Ünveren, Coşku Cinkılıç Thanks to: Salon2, Amber festival, Pg Art Gallery, Gökhan Okuyucu, Ekmel Ertan, Osman Koç, Todays Art Festival, Erdem Dilbaz, Pırıl Güleşçi Arıkonmaz, Dilek Reklam, Ahmet Sertaç Öztürk, Mert Şırlakcı With the contributions of: PG Art Gallary and Amber Platform If we consider that the new media provides a wider and more liberal sharing of information than public space, we can observe that the new media possesses a greater expanse of space, which derives from real world. As e compare these two spaces, we can see that the new media is far more organic and variable whereas the public space is shaped and limited by state and authority. Can we reverse this physical data visualization, which is produced out of non-physical information? By covering a physical surface with a digital layer, can we soften the concept of reality between the “physical” and “digital”? Digital data sharing; reification of the real-world space and value of the new media and coating the resultant parametric surface with a digital layer, by employing ISOHIPS mapping method, which provides physical data on the surface forms. Combining an information, which is originally physical, with a non-physical information (isohips-digital media) and re-digitizing the physical result; an audio-visual installation that questions and aims for the entwining of these two concepts. <img src="http://payload134.cargocollective.com/1/2/68300/4980671/04-isofield-00_900.JPG" width="771" height="800" width_o="771" height_o="800" src_o="http://payload134.cargocollective.com/1/2/68300/4980671/04-isofield-00_o.JPG" data-mid="26669991" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4980671/07-isofield-02_900.JPG" width="900" height="770" width_o="1000" height_o="856" src_o="http://payload134.cargocollective.com/1/2/68300/4980671/07-isofield-02_o.JPG" data-mid="26670016" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4980671/06-isofield-04_900.JPG" width="900" height="601" width_o="1000" height_o="668" src_o="http://payload134.cargocollective.com/1/2/68300/4980671/06-isofield-04_o.JPG" data-mid="26670030" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4980671/isofield-03 copy_900.JPG" width="900" height="600" width_o="1000" height_o="667" src_o="http://payload134.cargocollective.com/1/2/68300/4980671/isofield-03 copy_o.JPG" data-mid="26670046" border="0" align="left"/> ISOFIELD has been produced using the izohips map that provides information about physical surface shapes and by making a physical layer from the graphics of the... http://www.csismn.com/Noisefloor http://www.csismn.com/following/csismn.com/Noisefloor Wed, 13 Feb 2013 18:12:55 +0000 csismn 4980620 <img src="http://payload134.cargocollective.com/1/2/68300/4980620/14-noisefloor01_900.JPG" width="900" height="600" width_o="1000" height_o="667" src_o="http://payload134.cargocollective.com/1/2/68300/4980620/14-noisefloor01_o.JPG" data-mid="26669553" border="0" align="left"/> Before seeing the world we hear its voice and many years later we try to figure out what kind of place it is. Even in the quietest place, we are unconsciously aware that our ears is full of sounds of our environment, we feel it. Scientifically speaking, 'noise’ is the frequency that surrounds the desired sound, forms a world such as the landscape that forms the trees, houses and roads… This work that defines the hypothetical world of depth sounds and makes concrete the sound recorded in 10 milliseconds in a quiet environment with a capacitor microphone. The artist makes physical the slightest sound heart and reflects the re-processed noise on the existing installation. The result is to see what we are not able to hear. Tasarım, görseller ve ses: Candaş Şişman Mimari Danışman: Coşku Cinkılıç Ses Kayıtları: Stüdyo Bee, Baran Göksu, Umut Çetin, Alp Çoksoyluer, Candaş Şişman Teşekkürler: Ahmet Sertaç Öztürk, Gürçağ Özler, Gökhan Okuyucu <img src="http://payload134.cargocollective.com/1/2/68300/4980620/15-noisefloor02_900.JPG" width="900" height="600" width_o="1000" height_o="667" src_o="http://payload134.cargocollective.com/1/2/68300/4980620/15-noisefloor02_o.JPG" data-mid="26669582" border="0" align="left"/> Before seeing the world we hear its voice and many years later we try to figure out what kind of place it is. Even in the quietest place, we are unconsciously... http://www.csismn.com/Continuuum http://www.csismn.com/following/csismn.com/Continuuum Wed, 13 Feb 2013 18:04:09 +0000 csismn 4980595 <img src="http://payload134.cargocollective.com/1/2/68300/4980595/continuuum2.jpg" width="559" height="800" width_o="559" height_o="800" src_o="http://payload134.cargocollective.com/1/2/68300/4980595/continuuum2_o.jpg" data-mid="26669461" border="0" align="left"/> Time, is always defined by people as the sum of continuities that are always going forward. When we define a moment, we find the last point of all the processes described before and we understand where we are. What we define as an “Arrow of time”, the situation of moving always forward is originally contrast to the universe that we live. Perhaps the expansion of the universe is heterogeneous, who knows? Continuuum depicts the infinite possibilities of time with its mechanical system and reminds us once again that we see time in different dimensions with its distributed cycle. Concept: Candaş Şişman Production: Osman Koç Consultants: Ahmet Sertaç Öztürk, Gürçağ Özler <img src="http://payload134.cargocollective.com/1/2/68300/4980595/16-continuuum_900.JPG" width="800" height="669" width_o="800" height_o="669" src_o="http://payload134.cargocollective.com/1/2/68300/4980595/16-continuuum_o.JPG" data-mid="26669405" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4980595/_MG_3049flufoto copy.jpg" width="667" height="1000" width_o="667" height_o="1000" src_o="http://payload134.cargocollective.com/1/2/68300/4980595/_MG_3049flufoto copy_o.jpg" data-mid="26669398" border="0" align="left"/> Time, is always defined by people as the sum of continuities that are always going forward. When we define a moment, we find the last point of all the processes... http://www.csismn.com/MakroMikro http://www.csismn.com/following/csismn.com/MakroMikro Wed, 13 Feb 2013 17:59:45 +0000 csismn 4980572 <img src="http://payload134.cargocollective.com/1/2/68300/4980572/makromikro 05 copy_900.jpg" width="900" height="684" width_o="1000" height_o="760" src_o="http://payload134.cargocollective.com/1/2/68300/4980572/makromikro 05 copy_o.jpg" data-mid="26669204" border="0" align="left"/> Whether we have learned in the recent past, spiritual or physical, everything points out that the universe is connected. For this reason, we get out of sharp distinctions, such as macro and micro over time. We start to see everything in the same whole. We need to take a closer look to the habitat that Candas Şişman created of pixel square forms of the digital world. The micro-level themes printed from a printer with detailed printing technique, shows the audience how complex structures is formed from simple forms by using the digital world atoms, the pixels. Discovered with the help of micro-level lenses, each piece is linked with each other and makes itself visible with the prominent characteristic of fractal structures. Design: Candaş Şişman Thanks to: Ahmet Sertaç Öztürk, Gürçağ Özler, Talay Gürsoy <img src="http://payload134.cargocollective.com/1/2/68300/4980572/makromikro 02 copy_900.JPG" width="900" height="561" width_o="1000" height_o="624" src_o="http://payload134.cargocollective.com/1/2/68300/4980572/makromikro 02 copy_o.JPG" data-mid="26669220" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4980572/-makromikro 01 copy_900.jpg" width="800" height="695" width_o="800" height_o="695" src_o="http://payload134.cargocollective.com/1/2/68300/4980572/-makromikro 01 copy_o.jpg" data-mid="26669233" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4980572/-makromikro 011 copy_900.jpg" width="900" height="600" width_o="1000" height_o="667" src_o="http://payload134.cargocollective.com/1/2/68300/4980572/-makromikro 011 copy_o.jpg" data-mid="26669237" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4980572/makromikro 06 copy_900.JPG" width="741" height="1000" width_o="741" height_o="1000" src_o="http://payload134.cargocollective.com/1/2/68300/4980572/makromikro 06 copy_o.JPG" data-mid="26669255" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4980572/makromikro 07 copy.JPG" width="667" height="1000" width_o="667" height_o="1000" src_o="http://payload134.cargocollective.com/1/2/68300/4980572/makromikro 07 copy_o.JPG" data-mid="26669261" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4980572/makromikro 00 copy_900.JPG" width="900" height="657" width_o="1000" height_o="731" src_o="http://payload134.cargocollective.com/1/2/68300/4980572/makromikro 00 copy_o.JPG" data-mid="26669271" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4980572/makromikro 04 copy_900.JPG" width="900" height="931" width_o="966" height_o="1000" src_o="http://payload134.cargocollective.com/1/2/68300/4980572/makromikro 04 copy_o.JPG" data-mid="26669283" border="0" align="left"/> Whether we have learned in the recent past, spiritual or physical, everything points out that the universe is connected. For this reason, we get out of sharp... http://www.csismn.com/Points http://www.csismn.com/following/csismn.com/Points Wed, 13 Feb 2013 17:56:12 +0000 csismn 4980553 <img src="http://payload134.cargocollective.com/1/2/68300/4980553/02-points01_900.JPG" width="900" height="623" width_o="1000" height_o="693" src_o="http://payload134.cargocollective.com/1/2/68300/4980553/02-points01_o.JPG" data-mid="26669075" border="0" align="left"/> When we look across the shore, we notice all of the shining and flashing lights that illuminates the night. While we move away we realize that the frequencies of the light slows down and we are able to extract the electric arcs. Points reduce the infinite points into a constituent line and generate itself over the possibility of randomly moving atoms. “Points” is a two meters long work made of a neon material. The point is dimensionless and allows an infinite number of possibilities. The temporal way that make up the totality has many details inside. Concept: Candaş Şişman <img src="http://payload134.cargocollective.com/1/2/68300/4980553/01 exhibition view_900.JPG" width="900" height="509" width_o="1000" height_o="566" src_o="http://payload134.cargocollective.com/1/2/68300/4980553/01 exhibition view_o.JPG" data-mid="26670407" border="0" align="left"/><img src="http://payload134.cargocollective.com/1/2/68300/4980553/03-points02_900.JPG" width="900" height="435" width_o="1000" height_o="484" src_o="http://payload134.cargocollective.com/1/2/68300/4980553/03-points02_o.JPG" data-mid="26669082" border="0" align="left"/> When we look across the shore, we notice all of the shining and flashing lights that illuminates the night. While we move away we realize that the frequencies of... http://www.csismn.com/TURNA-THE-CRANE http://www.csismn.com/following/csismn.com/TURNA-THE-CRANE Sun, 22 Jul 2012 04:20:38 +0000 csismn 3793771 ^TURNA ^THE CRANE | Sound Reactive 3D iMAX Cinema Movie _CREDITS_ Konsept / Concept: Özlem Ölçer Sanat Yönetimi / Art Direction: Candaş Şişman & Özlem Ölçer Görsel Etkileşim Tasarımı & Yazılım / Visual Interaction Design & Coding: Osman Koç 3D Animasyon / 3D Animation: Candaş Şişman Prodüktör / Producer: Elif Demirci Müzik / Music Görkem Şen - Yaybahar Volkan İncüvez - Gitar / Guitar Gökçe Gürçay - Davullar / Drums & Percussions Ayşe Akarsu - Davullar / Drums & Percussions For the opening ceremony of !f Istanbul International Independent Movie Festival, as a suprise event, The Crane is made by a huge trans-discipliner team including coders, illustrators, animators and musicians. Using iMAX systems and its glasses, the movie has chance to turn into an interactive 3D movie. Its reaction is linked to the sound of a live orchestra which is a temporary gathering of unusual musicians. This interaction has directional influences on some 3D computer generated parts of the movie in a way of many different ratios. Main story belongs to a girl with dreams, support and motivation come from !f Istanbul, producing by nerdworking, performed by the orchestra with 300 audience mass interaction. Theme of this year is ''People Power'', so you will see it at the end of the performance. Please read carefully and start to spin in the universe. Caught the hand of The Human, With one wing, The Crane, Drawing out the other to The Universe. The Universe pulled and ascended, The Human and The Crane, Up to the sky, the seventh. The three whirled as one, Ripen into whole, altered to a Sage, The eternal cycle has begun. <img src="http://payload74.cargocollective.com/1/2/68300/3793771/00_900.JPG" width="720" height="507" width_o="720" height_o="507" src_o="http://payload74.cargocollective.com/1/2/68300/3793771/00_o.JPG" data-mid="19742984" border="0" align="left"/><img src="http://payload74.cargocollective.com/1/2/68300/3793771/01_900.JPG" width="720" height="508" width_o="720" height_o="508" src_o="http://payload74.cargocollective.com/1/2/68300/3793771/01_o.JPG" data-mid="19742987" border="0" align="left"/><img src="http://payload74.cargocollective.com/1/2/68300/3793771/02_900.JPG" width="720" height="507" width_o="720" height_o="507" src_o="http://payload74.cargocollective.com/1/2/68300/3793771/02_o.JPG" data-mid="19742989" border="0" align="left"/><img src="http://payload74.cargocollective.com/1/2/68300/3793771/03_900.JPG" width="720" height="507" width_o="720" height_o="507" src_o="http://payload74.cargocollective.com/1/2/68300/3793771/03_o.JPG" data-mid="19742990" border="0" align="left"/><img src="http://payload74.cargocollective.com/1/2/68300/3793771/04_900.JPG" width="720" height="507" width_o="720" height_o="507" src_o="http://payload74.cargocollective.com/1/2/68300/3793771/04_o.JPG" data-mid="19742991" border="0" align="left"/> ^TURNA ^THE CRANE | Sound Reactive 3D iMAX Cinema Movie _CREDITS_ Konsept / Concept: Özlem Ölçer Sanat Yönetimi / Art Direction: Candaş Şişman & Özlem...